Yo obsolete (The Microsphere) explores one of the stages in childhood play known as The Microsphere or the world of manageable toys. This stage inhabits within the limits of a Thing-world: a space of fantasy and solitary play.
A bright pink and obsolete remote control car is the centerpiece for the performance. The toy influences the performer’s imaginative behavior.
Yo obsolete engages in creative, symbolic and socio-dramatic play that explores on themes like gender identity, cross dressing and boyhood.
Images by Roger Ruíz
Choreographer/Performer: Christopher Núñez
Intervened object: Christopher Núñez
Costumes: Christopher Núñez
Press: The Dance Enthusiast-Queerly Contemporary Festival